Studiolive 16.4.2 Digital Mixer

Mod:[PRSTL1642] Prod: Presonus
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Which StudioLive is Best for You?
 
Your mixing and recording needs aren't necessarily exactly the same as everyone else's. That's why we created a StudioLive family of digital mixers, starting with the StudioLive 16.0.2, 16.4.2 and StudioLive 24.4.2.
 
Why choose StudioLive 16.4.2 rather than the StudioLive 16.0.2? The StudioLive 16.4.2 has more mic preamps, more FireWire streams, more graphic EQs, longer-throw faders, more bands of semi-parametric EQ, and more meters than the StudioLive 16.0.2. It has digital outs and analog direct outs, and you can daisy-chain two 16.4.2s to create a larger system; the 16.0.2 does not have these features. On the other hand, the StudioLive 16.0.2 is more compact and lighter than the 16.4.2, it's less expensive, and it has a very cool feature that the larger StudioLives don't offer: MIDI control over main output level, effects levels and routing, and Scene change.
 
A gigantic console in a small package thanks to the Fat Channel.
 
If StudioLive were an analog console, it would have 4-foot-long channel strips packed with knobs and buttons or it would require a massive outboard rack of expensive signal processors! That's because each channel has its own compressor, limiter, gate, 4-band semi-parametric equalizer, and high-pass filter. In all, we've packed 31 compressors, 31 limiters, 31 gates, 16 high-pass filters, and more, into one remarkable Fat Channel.
 
Engaged by pressing any Select button, the StudioLive 16.4.2's Fat Channel features extensive EQ and dynamics for every input channel, every aux output (including the two internal FX buses), every subgroup output, and the main outputs.
 
To let you get the most from all of this processing power without descending into menu purgatory, we designed the Fat Channel with clearly labeled physical knobs; an ingenious, multi-function, 16-ladder LED display; an in-your-face Selected Channel display; and even a separate horizontal pan display. It's easy to instantly access any function and get clear, visible feedback.
 
Not just effects. Effects you'd expect from a $600 stand-alone processor.
 
You get two programmable, 32-bit, stereo DSP effects engines, loaded with 50 reverbs, delays, and time-based effects that you can really use. The reverbs are so rich and detailed that you feel like you're there. Delays are precise. Slap echo sounds like old-school tape effects. All 50 effects have easy-to-use parameter adjustment, tap tempo, store, recall, and Scene selection for ultimate creative flexibility.
 
The StudioLive 16.4.2's 4 dual, 31-band graphic equalizers can be applied to the main, subgroup, and aux outputs so you can compensate for room acoustics, speaker response, and much more. Furthermore, with new Smaart Measurement Technology™, you'll be able to really put StudioLive's graphic EQ to work improving the sound of your P.A. Precisely identify nasty feedback frequencies. Get your loudspeakers to play nicer with the room they're in — all without having a degree in acoustical engineering.
 
All of these features add up to a lot of settings to remember and reset at every performance. That's where the power of digital comes in: StudioLive lets you save all of your digital settings for quick setup and recall. Save Scenes that include every setting on the mixer or save just the Fat Channel settings. Copy-and-paste settings across multiple channels. Save individual DSP effects for ultimate ease, speed, and control.
 
This means that for fixed applications like clubs, churches, and auditoriums, you can always count on the same sound and can fine-tune Scenes for different songs and call them up instantly. And it lets rank amateur volunteers successfully operate the StudioLive 16.4.2.
 
We've included a whole library of individual channel settings as starting points for optimizing the sound of instruments, vocals, and spoken word. An AutoStore feature regularly saves your current settings in case the power fails.
 
Recording made easy.
 
If you have a computer with 6-pin FireWire, you have a 32-track digital recorder instantly ready to capture your gig, church service, or presentation. Just two mouse clicks engages Capture™ recording software. Studio One Artist™ digital audio workstation lets you edit and enhance to your heart's content.
 
StudioLive 16.4.2 features a tightly integrated FireWire interface that delivers up to 32 channels of recording and up to 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre- or post-Fat Channel signal processing, delivering total flexibility and power.
 
Because StudioLive 16.4.2 can so easily return FireWire playback channels from your computer, you can pull off nifty tricks. You can soundcheck your band and fine-tune the P.A. in a new venue, even when the band's not there yet. Or create backing tracks at your studio and seamlessly blend them with live performances.
 
Windows
Windows XP, Vista, Windows 7 (32- and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended

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